Review: Various – Fünf
December 27, 2010 § Leave a comment
The fascinating (and, when you think about it, wholly appropriate) concept behind Ostgut Ton’s fifth anniversary compilation was conceived by British born, Berlin based artist Emika. In a recent interview she revealed that on a night out at the label’s affiliate club Panorama she noticed the “metal panels on the walls resonating and the motors from the lights making noise”. And so, at that moment, Fünf was born. Some discussions with Ostgut Ton label manager Nick Höppner followed, and soon after Berghain and Panorama Bar’s family of artists were given a host of field recordings taken from within the club after hours – be it humming fridges, creaking doors or unseen footsteps – and asked to make a track using these sounds as their sonic foundation. The results are stunning, with a disparate yet inexorably linked sonic tapestry that ranges from subtle soundscapes (Emika’s “Changing Room” and Marcel Dettmann’s beatless “Shelter”) to dubsteppish techno (Fiedel’s “Doors To Manual”), minimal house (Dinky’s “Twelve To Four”) and straight up bangers (Shed’s “Boom Room”); indeed the latter reminds us how good Rene Pawlowitz is at making no-nonsense, unadulterated club tackle.